100% Love Guarantee
You will LOVE your art, or we will take it back — “60-Day Money Back” & “Free Return Shipping”. The only kind of love that can be guaranteed.
Paris Street: A Rainy Day - Canvas Print
Gustave Caillebotte Art print #15016
Add toRemove from
123
Favorites-
-
-
- No Tag
Choose Product Type
-
Canvas
-
Framed Canvas
-
Framed Print
Choose a Format
- 1-piece
- 3-piece
Choose a Size (inches)
- MINI
12×8 - SMALL
18×12 - MEDIUM
24×16 - MEDIUM
26×18 - LARGE
32×24 - LARGE
40×26 - XL
48×32 - XXL
60×40
some sizes temporarily out of stock
Choose Thickness
Choose Frame Thickness
REG
50% OFF —
FREE SHIPPING
Free Returns
60-day Money Back
Some Exclusions Apply
Currently Not Available
Canvas Print Description
Gustave Caillebotte's "Paris Street: A Rainy Day" portrays the urban and historical intersection between high fashion and the brutal urban regeneration of late-nineteenth century capitalism. As the artist lived and matured in his work all around him were felt the upheavals of Baron von Haussmann's urban regeneration of Paris. Indeed, it was the destruction of the medieval alleyways and ancient settlements that drove the Impressionist cohort to create their rural idyll. The result of the unprecedented urban renewal was the boulevards that characterize contemporary Paris. "Paris Street: A Rainy Day", painted in 1877 captures the precise moment when the urban world changed, incorporating convenient train travel, city-fashion, street photography, and urban modernity. Although unrecognizable today from Caillebotte's canvas, the Place de Dublin was once a hub of couples walking down the newly carved streets. To late-nineteenth century eyes the painting would have been a stunning vision of an almost-futuristic environment. The stark, geometric lines, the fashionable threads and English-style umbrellas that the strollers hold with pride, and the photo-realistic framing of the painting, all stand as a testament to the changing tastes of a culture propelling itself towards mass-production and modernity. Lingering in the edges of the frame are hints of scaffolding and with it the potential of further regeneration, increased dispossession, and an ever-widening gulf between rich and poor. Indeed, Caillebotte's protagonists are explicitly the bourgeoisies, yet what is more interesting is that they are very likely the rural bourgeoisies. Beside the Place de Dublin was the newly constructed train station, the Gare Saint Lazare that took the rich residents of the country estates into Paris for a day trip of strolling through the new urban space built for their enjoyment.
Share