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The boundless glory of untamed land opens out before the viewer, winding through the crevice of a valley towards a silver lake. Perched safely above a steep incline is a small hamlet, a settlement from which a farmer drives a small troupe of goats and sheep towards a straw-roofed hut where, perhaps, the faithful servants are waiting to milk or shear the beasts. As they pass the glittering river flecked with snow-capped mountains on their left, the farmer and his cattle see a slightly different sight to their right. Crudely scrawled on an abandoned car in blue paint is the word ‘Cock’, facing the viewer in an almost accusatory manner. Missing its door, and clearly an emblem of a decaying local society, the found picture appropriated by Banksy in "Car Wreck ‘is turned into a savage indictment of what many decry as a ‘broken Britain’. Having first appeared in Banksy’s seminal 2009 show at his hometown Bristol’s city museum, "Car Wreck ‘soon became a fan favorite. At this particular exhibition entitled ‘Bristol vs Banksy’, the artist bought a number of paintings from junk stores and charity shops and staged his own guerilla interventions within, around, and across their decorative frames. Such staid, vapid, and fluffy canvases were typical of the bottom-rung of the Romanticist movement which, when paired with the Impressionist revolution and the mass-marketing of watercolor paints, led to generations of outdoor painting hobbyists. Banksy’s crude placement of an abandoned car serves to remind people that, however much they hope to the contrary, there were no good old days.