Gustave Caillebotte's "Paris Street: A Rainy Day" portrays the urban and historical intersection between high fashion and the brutal urban regeneration of late-nineteenth century capitalism. As the artist lived and matured in his work all around him were felt the upheavals of Baron von Haussmann's urban regeneration of Paris. Indeed, it was the destruction of the medieval alleyways and ancient settlements that drove the Impressionist cohort to create their rural idyll. The result of the unprecedented urban renewal was the boulevards that characterize contemporary Paris. "Paris Street: A Rainy Day", painted in 1877 captures the precise moment when the urban world changed, incorporating convenient train travel, city-fashion, street photography, and urban modernity. Although unrecognizable today from Caillebotte's canvas, the Place de Dublin was once a hub of couples walking down the newly carved streets. To late-nineteenth century eyes the painting would have been a stunning vision of an almost-futuristic environment. The stark, geometric lines, the fashionable threads and English-style umbrellas that the strollers hold with pride, and the photo-realistic framing of the painting, all stand as a testament to the changing tastes of a culture propelling itself towards mass-production and modernity. Lingering in the edges of the frame are hints of scaffolding and with it the potential of further regeneration, increased dispossession, and an ever-widening gulf between rich and poor. Indeed, Caillebotte's protagonists are explicitly the bourgeoisies, yet what is more interesting is that they are very likely the rural bourgeoisies. Beside the Place de Dublin was the newly constructed train station, the Gare Saint Lazare that took the rich residents of the country estates into Paris for a day trip of strolling through the new urban space built for their enjoyment.
Gustave Caillebotte’s Paris “Street: A Rainy Day” portrays the urban and historical intersection between high fashion and the brutal urban regeneration of late-nineteenth century capitalism. As the artist lived and matured in his work all around him were felt the upheavals of Baron von Haussmann’s urban regeneration of Paris. Indeed, it was the destruction of the medieval alleyways and ancient settlements that drove the Impressionist cohort to create their rural idyll. The result of the unprecedented urban renewal was the boulevards that characterize contemporary Paris. Paris “Street: A Rainy Day”, painted in 1877 captures the precise moment when the urban world changed, incorporating convenient train travel, city-fashion, street photography, and urban modernity. Although unrecognizable today from Caillebotte’s canvas, the Place de Dublin was once a hub of couples walking down the newly carved streets. To late-nineteenth century eyes the painting would have been a stunning vision of an almost-futuristic environment. The stark, geometric lines, the fashionable threads and English-style umbrellas that the strollers hold with pride, and the photo-realistic framing of the painting, all stand as a testament to the changing tastes of a culture propelling itself towards mass-production and modernity. Lingering in the edges of the frame are hints of scaffolding and with it the potential of further regeneration, increased dispossession, and an ever-widening gulf between rich and poor. Indeed, Caillebotte’s protagonists are explicitly the bourgeoisies, yet what is more interesting is that they are very likely the rural bourgeoisies. Beside the Place de Dublin was the newly constructed train station, the Gare Saint Lazare that took the rich residents of the country estates into Paris for a day trip of strolling through the new urban space built for their enjoyment.
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Lifetime Warranty
“Is this new?” That is what you are going to hear for the next 50 years. Your yellows will stay as yellow as the first day you hung your art. If not, we will replace it.
Handcrafted Quality
Every item is made-to-order and assembled in-house by our team, using only premium materials...cuz we're a little obsessed about art.
Made in The USA
All of our premium materials are sourced from the states, and then assembled at iCanvas, in Illinois. Lincoln would be proud.
Canvas Print Framing Options
Gallery Wrapped Canvas
All of our artwork comes gallery wrapped. The image is stretched around the sides and stapled to the
back of the wooden frame. Your piece of art will be ready to hang, and will include an easy-to-use
hanging kit.
Canvas Stretcher Bar Keys
The use of canvas stretcher bar keys is essential for preserving the visual appeal of canvas artwork, as they allow for the adjustment of canvas tension, which in turn guarantees a surface that is free of wrinkles. Stretcher keys are the preferred canvas stretching method by art professionals around the world as well as ours.
FRAME OPTIONS
Black & white matte frames have a sleek lacquer finish and are versatile enough to pair with almost any piece of art. Mottled gold & silver frames are hard wood with a textured metallic finish. Silver pairs well with cool colors and dark backgrounds, while gold pairs particularly well with classic art, traditional décor, and warmer colors. Dark wood can look great with rustic, farmhouse, nature and photography prints.
Framed Canvas Framing Options
Gallery Wrapped Canvas
All of our artwork comes gallery wrapped. The image is stretched around the sides and stapled to the
back of the wooden frame. Your piece of art will be ready to hang, and will include an easy-to-use
hanging kit.
Floating Frame
A little “armor for your art” that won‘t obscure the canvas. Your canvas print is
gallery wrapped and mounted to a 2" thick, elegant, black hard wood frame. The art is inset, leaving a
3/8" space between the art and frame, creating the illusion that your art is “floating.”
FRAME OPTIONS
Black & white matte frames have a sleek lacquer finish and are versatile enough to pair with almost any piece of art. Mottled gold & silver frames are hard wood with a textured metallic finish. Silver pairs well with cool colors and dark backgrounds, while gold pairs particularly well with classic art, traditional décor, and warmer colors. Dark wood can look great with rustic, farmhouse, nature and photography prints.
About Fine Art Prints
Fine Art Paper
Presented on heavyweight (300 GSM) fine art paper with a distinct textured surface, using long-lasting ultra-chrome inks. A white border is left around the artwork for self-matting or to draw the eye in further.
Low-Glare Acrylic
Acrylite clear-coat premium glazing reduces glare while maintaining a crystal clear view of your art. Your art will be well protected and easy to clean.
Frame Options
Our Indonesian hardwood frames are handcrafted at iCanvas. Black & white matte frames have a sleek lacquer finish and are versatile enough to pair with almost any piece of art.
Mottled Gold has a textured metallic finish and pairs particularly well with classic art, traditional décor, and warmer colors.
Natural Wood brings the outdoors in and pairs well with watercolors, Scandinavian style artwork, or any natural, earthy subject matter.
Highest Quality Standards
Giclee Printing Process
The standard for precision and stunning color reproduction.
Premium Materials
The best quality canvas for texture and finish; premium inks for vivid color; hand-stretched over 100% North American pine frames.
Handcrafted
Every item is made-to-order — printed, stretched, and stapled here, at iCanvas.